Sting Settles Legal Dispute with Former Bandmates
In a significant development, Sting has reportedly disbursed £595,000 to his former bandmates from The Police, following legal challenges regarding unpaid royalties. The High Court has been informed that drummer Stewart Copeland and guitarist Andy Summers claim they are collectively owed over $2 million (£1.49 million) in arranger’s fees by Sting and his publishing company, Magnetic Publishing.
Legal Context
The ongoing dispute revolves around whether Sting is liable for arranger’s fees from streaming revenue, a stipulation asserted by Copeland and Summers. Their barrister has argued that Sting has failed to pay these fees, which typically involve sharing 15% of publishing income with the other band members, from earnings gained through digital platforms.
Sting’s legal representative, Robert Howe KC, countered this claim during a preliminary hearing, suggesting that the financial agreement should only apply to physical music sales, such as vinyl and cassettes, rather than modern streaming services. Howe disclosed the total payments made by Sting since the lawsuit commenced late last year, amounting to over $800,000 (£595,000) in what he termed “historic underpayments.”
Disagreement Over Financial Terms
The core of the dispute lies in the interpretation of several agreements established from the band’s inception in the late 1970s until 2016. Howe noted complications between the band members regarding how terms like “mechanical income” and “public performance fees” should incorporate streaming revenues that are proving lucrative.
Meanwhile, Ian Mill KC, representing Copeland and Summers, maintained that agreements dating back to 1977 substantiate their claim of entitlement. He contended that the trio had previously agreed on a 15% split before formal contracts were arranged.
Next Steps
The ongoing tribunal will ultimately determine whether the arrangements for arranger’s fees have been adhered to as per the terms of a 2016 settlement agreement. The court proceedings are anticipated to continue past the preliminary hearings, with a full trial scheduled for the future.
Background
Formed in the late 1970s, The Police became one of the UK’s most iconic rock bands, known for timeless hits such as “Every Breath You Take,” “Roxanne,” and “Message In A Bottle.” The current legal situation highlights the ongoing complexities surrounding artist royalties in the digital age, particularly as streaming platforms continue to reshape the music industry’s financial landscape.
Source: Original Article
